Up: Control y Elasticidad en lo Musical:


Appleton and Perera, 1975
Appleton, J. and Perera, R., editors (1975).
The Development and Practice of Electronic Music.
Prentice-Hall, Englewood Cliffs, NJ.

Ben-Tal and Berger, 2004
Ben-Tal, O. and Berger, J. (2004).
Creative aspects of sonification.
Leonardo, 37(3).

Chion, 1994
Chion, M. (1994).
Columbia University Press.

Cook, 2002
Cook, P. R. (2002).
Real Sound Synthesis for Interactive Applications.
AK Peters.

Dodge and Jerse, 1985
Dodge, C. and Jerse, T. (1985).
Computer Music: Synthesis Composition and Performance.
Schirmer Books.

Harvey and Wright, 1999
Harvey, B. and Wright, M. (1999).
Simply Scheme,Introducing Computer Science, 2nd Edition.
MIT Press.

Holtzman, 1995
Holtzman, S. R. (1995).
Digital Mantras: The Language of Abstract and Virtual Worlds.
MIT Press, Cambridge MA, EE.UU.

Kahn, 1994
Kahn, D., editor (1994).
Wireless Imagination: Sound, Radio, and the Avant-Garde.
MIT Press, Cambridge MA, EE.UU.

Lerdahl and Jackendoff, 1985
Lerdahl, F. and Jackendoff, R. (1985).
A Generative Theory of Tonal Music.
MIT Press, Cambridge, EE.UU.

Moore, 1998
Moore, F. R. (February 17, 1998).
Elements of Computer Music.
Pearson Education POD.

Pierce, 1980
Pierce, J. R. (1980).
An Introduction to Information Theory, Symbols, Signals and Noise.
Dover, Nueva York, EE.UU.

Puckette, 2007
Puckette, M. (2007).
Theory and Techniques of Electronic Music.
World Scientific Press.

Reyes, 2004
Reyes, J. (2004).
Momentos de interseccion: Reflexiones sobre musica y plastica.
Arte y Contexto.
Madrid, Spain.

Reyes, 2006
Reyes, J. (2006).
Perpendicularidad entre el arte sonoro y la música.
Cuadernos del Centro de Estudios en DyC, 20.
Universidad de Palermo, Facultad de Diseño y Comunicación, Buenos Aires, Argentina.

Roads, 1996
Roads, C., editor (1996).
The Computer Music Tutorial.
MIT Press, Cambridge MA.

Rossing, 1990
Rossing, T. D. (1990).
The Science of Sound.
Addison Wesley, second edition.

Russell and Norvig, 1995
Russell, S. and Norvig, P. (1995).
Artificial Intelligence, A modern Approach.
Prentice Hall, New Jersey, EUA.

Schrader, 1982
Schrader, B. (1982).
Introduction to Electroacoustic Music.

Strange, 1983
Strange, A. (1983).
Electronic Music: Systems, Techniques, and Controls.
William C. Brown Publishers, second edition.

Taube, 2004
Taube, R. (2004).
Notes from the Metalevel: An Introduction to Computer Composition.

next up previous
Up: Control y Elasticidad en lo Musical: Previous: Recursos en Pd:

© Copyright 2001-2009 CCRMA, Stanford University. All rights reserved.
Created and Mantained by Juan Reyes