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Bibliografía

1
James Beauchamp.
Letters to the editor: Will the real fm equation please stand up ?
Computer Music Journal, 16(4), 1992.

2
John Chowning.
The synthesis of complex audio spectra by means of frequency modulation.
Journal of the Audio Engineering Society, 7:526-534, 1973.

3
Perry R. Cook, editor.
Music, Cognition, and Computerized Sound : An Introduction to Psychoacoustics.
MIT Press, 1999.

4
A. Horner J. Beauchamp and L. Haken.
Wavetable and fm matching synthesis of musical instrument tones.
In Proceedings 1992 International Computer Music Conference, pages 18-21. San Jose State University, 1992.

5
Richard Moore.
Elements of Computer Music.
Prentice Hall, New York, USA, 1993.

6
Dexter Morril.
Trumpet algorithms for computer composition.
Computer Music Journal, 1(1):46-52, 1977.
Reprinted in Foundations of Computer Music, C. Roads and J. Strawn (eds.). MIT Press, 1985.

7
Jean Claude Risset.
Introductory catalogue of computer synthesized sounds.
In Computer Music Currents 13. Wergo, 1996.
Computer Music Compilation, Audio CD.

8
Curtis Roads, editor.
The Computer Music Tutorial.
MIT Press, 1996.

9
William Schottstaedt.
The simulation of natural instrument tones using frequency modulation with a complex modulating wave.
Computer Music Journal, 1(4), 1977.

10
Barry Truax.
Organizational techniques for c:m ratios in frequency modulation.
Computer Music Journal, pages 39-45, 1978.
Reprinted in Foundations of Computer Music, C. Roads and J. Strawn (eds.). MIT Press, 1985.



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