Up: Función del instrumento: Desde la idea
Previous: Conclusiones
Referencias: lecturas recomendadas
- Perry R. Cook, editor.`` Music, Cognition, and Computerized Sound
: An Introduction to Psychoacoustics''. MIT Press, 1999.
- Charles Dodge and Thomas A. Jerse. ``Computer Music: Synthesis,
Composition, and Performance''. Macmillan Library Reference, 1985.
- Marc Leman ``Embodied Music Cognition and Mediation
Technology''. MIT Press, 2007.
- Lerdahl, F. and Jackendoff, R. (1996). ``A Generative
Thory of Tonal Music''. MIT Press, 1996.
- Daniel Levitin. `` This Is Your Brain on Music: The Science of a
Human Obsession ''. Dutton,2006
- George E. Lewis ``A Power Stronger than Itself. The AACM
and American Experimental Music''. The University of Chicago Press,
2009.
- Gareth Loy. ``Musimathics, Volume 1: The Mathematical
Foundations of Music''. The MIT Press, 2006.
- Marshall McLuhan, Understanding Media. The MIT Press,
reprint edition, 1994.
- Bill Moggridge. ``Designing Interactions''. The MIT Press; 1st
edition (October 1, 2007).
- Thomas D. Rossing, ``The Science of Sound, Third
Edition''. Addison Wesley; 3 edition, 2001.
- Robert Rowe. ``Machine Musicianship''. MIT Press,2004.
- Verplank, B., Gurevich, M., and Wilson, S. ``Physical
interaction design for music''. In Proceedings of International Music
Conference. International Computer Music Association, 2003.
Up: Función del instrumento: Desde la idea
Previous: Conclusiones

© Copyright 2001-2013 Juan I Reyes. All rights reserved.
Created and Mantained by Juan Reyes