Bibliografía

Ben-Tal and Berger, 2004

Ben-Tal, O. and Berger, J. (2004).
Creative aspects of sonification.
Leonardo, 37(3):229-233.

Chafe, 2004

Chafe, C. (2004).
Physical model synthesis in music composition.
In Proceedings of International Congress of Acoustics, Kyoto, Japón.

Cook, 1999

Cook, P. R., editor (1999).
Music, Cognition, and Computerized Sound : An Introduction to Psychoacoustics.
MIT Press.

Dittrich, 1999

Dittrich, W. H. (1999).
Seeing biological motion - is there a role for cognitive strat egies.
In Proceeding of International Gesture Workshop, GW'99, volume Lecture Notes in Artificial Intelligence, 1739, pages 3-22. Springer Verlag.

Duda, 2000

Duda, R. (2000).
Pattern Classification.
Wiley-Interscience.

Dunne, 2008

Dunne, A. (2008).
Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Design.
MIT Press.

Gladwell, 2007

Gladwell, M. (2007).
Blink: The Power of Thinking Without Thinking.
Back Bay Books.

Holtzman, 1995

Holtzman, S. R. (1995).
Digital Mantras: The Language of Abstract and Virtual Worlds.
MIT Press, Cambridge MA, EE.UU.

Jones, 2006

Jones, C. (2006).
Sensorium: Embodied Experience, Technology, and Contemporary Art.
MIT Press.

Lerdahl and Jackendoff, 1983

Lerdahl, F. and Jackendoff, R. (1983).
A Generative Theory of Tonal Music.
M.I.T. Press.

Levitin, 2006

Levitin, D. (2006).
This Is Your Brain on Music: The Science of a Human Obsession.
Dutton Adult.

Marrin, 1996

Marrin, T. (1996).
Toward an understanding of musical gesture: Mapping expressive intention with the digital baton.
Master's thesis, Media Laboratory, MIT, Cambridge, MA., EE.UU.

Marrin and Paradiso, 1997

Marrin, T. and Paradiso, J. (1997).
The digital baton: a versatile performance instrument.
In Proceedings of ICMC Thessaloniki, pages 313-316. ICMC, ICMA.

Mathews et al., 2000

Mathews, M., Verplank, B., and Robert, S. (2000).
Scanned synthesis.
Proceedings of ICMC Berlin.

Moggridge, 2007

Moggridge, B. (2007).
Designing Interactions.
The MIT Press.

O'Modhrain and Chafe, 2006

O'Modhrain, S. and Chafe, C. (2006).
Musical muscle memory and the haptic display of performance nuance.
In Proceedings of ICMC Thessaloniki. ICMA.

Pierce, 1980

Pierce, J. R. (1980).
An Introduction to Information Theory, Symbols, Signals and Noise.
Dover, Nueva York, EE.UU.

Putnam and Knapp, 1996

Putnam, B. and Knapp, B. (1996).
Input/data acquisition system design for human computer interfacing.
http://ccrma.stanford.edu/CCRMA/Courses/252/sensors/sensors.html.

Reyes, 2004

Reyes, J. (2004).
Momentos de interseccion: Reflexiones sobre música y plastica.
Arte y Contexto.
Madrid, España.

Reyes, 2005

Reyes, J. (2005).
¨Introducción a la Plástica Sonora: Tutoría para Arti stas y Músicos¨.
http://www.maginvent.org/articles/psontoot/Tecnicas_Pla stica_Sonora.html.
Contiene Tutorías en el lenguaje de programación SCHEME, ademá s de una introducción metódica a la síntesis de sonido.

Sapp, 2001

Sapp, C. (2001).
Harmonic visualizations of tonal music.
In Proceedings of the International Computer Music Conference (ICMC). ICMA.

Sapp, 2005

Sapp, C. (2005).
Visual hierarchical key analysis.
Computers in Entertainment, 3(4).