Up: Interacción en ensemble y telepresencia Previous: Trabajo futuro y experimentación


Allen and Dannenberg, 1990
Allen, P. and Dannenberg, R. (1990).
Tracking musical beats in real time.
In Proceedings of 1990 International Computer Music Conference, pages 140-143. International Computer Music Association.

Ben-Tal and Berger, 2004
Ben-Tal, O. and Berger, J. (2004).
Creative aspects of sonification.
Leonardo, 37(3):229-233.

Chafe, 2009
Chafe, C. (2009).
Tapping into the internet.
Contemporary Music Review, 28(4/5):413-420.

Chafe and Gurevich, 2004
Chafe, C. and Gurevich, M. (2004).
Effect of time delay on ensemble accuracy.
In Proceeding of the International Symposium on Musical Acoustics, Nara, Japón.

Cook, 1999
Cook, P. R., editor (1999).
Music, Cognition, and Computerized Sound : An Introduction to Psychoacoustics.
MIT Press.

Cope, 2005
Cope, D. (2005).
Computer Models of Musical Creativity.
MIT Press.

Cáceres and Chafe, 2009
Cáceres, J. and Chafe, C. (2009).
Jacktrip: Under the hood of an engine for network audio.
In Proceedings of 2009 International Computer Music Conference, Montreal. International Computer Music Association.

Cáceres and Hamilton, 2008
Cáceres, J. and Hamilton, R. (2008).
To the edge with china: Exploration in network performance.
In Proceeding of ARTECH-2008, pages 61-66, Porto, Portugal. Fourth International Conference on Digital Arts.

Cáceres and Renaud, 2008
Cáceres, J. and Renaud, A. (2008).
Playing the network: the use of time delays as musical devices.
In Proceedings of 2008 International Computer Music Conference, pages 244-250, Belfast, Irlanda. International Computer Music Association.

Dittrich, 1999
Dittrich, W. H. (1999).
Seeing biological motion - is there a role for cognitive strat egies.
In Proceedings of International Gesture Workshop, GW'99, volume Lecture Notes in Artificial Intelligence, 1739, pages 3-22. Springer Verlag.

Gladwell, 2007
Gladwell, M. (2007).
Blink: The Power of Thinking Without Thinking.
Back Bay Books.

Hofstadter, 1999
Hofstadter, D. (1999).
Gödel, Escher, Bach: An Eternal Golden Braid.
Basic Books.

Holtzman, 1995
Holtzman, S. R. (1995).
Digital Mantras: The Language of Abstract and Virtual Worlds.
MIT Press, Cambridge MA, EE.UU.

Jaffe, 1985
Jaffe, D. (1985).
Ensemble timing in computer music.
Computer Music Journal, 9(4).

Jones, 2006
Jones, C. (2006).
Sensorium: Embodied Experience, Technology, and Contemporary Art.
MIT Press.

Lerdahl and Jackendoff, 1983
Lerdahl, F. and Jackendoff, R. (1983).
A Generative Theory of Tonal Music.
M.I.T. Press.

Levitin, 2006
Levitin, D. (2006).
This Is Your Brain on Music: The Science of a Human Obsession.
Dutton Adult.

Marrin, 1996
Marrin, T. (1996).
Toward an understanding of musical gesture: Mapping expressive intention with the digital baton.
Master's thesis, Media Laboratory, MIT, Cambridge, MA., EE.UU.

Marrin and Paradiso, 1997
Marrin, T. and Paradiso, J. (1997).
The digital baton: a versatile performance instrument.
In Proceedings of ICMC Thessaloniki, pages 313-316. ICMC, ICMA.

Minsky, 1981
Minsky, M. (1981).
Music, mind and meaning.
Computer Music Journal, 5(3).

Moggridge, 2007
Moggridge, B. (2007).
Designing Interactions.
The MIT Press.

Oliveros and Chafe, 2009
Oliveros, P. and Chafe, C. (2009).
Telematic music:six perspectives.
Leonardo Music Journal, 19.

Reyes, 2004
Reyes, J. (2004).
Momentos de interseccion: Reflexiones sobre música y plastica.
Arte y Contexto.
Madrid, España.

Reyes, 2005
Reyes, J. (2005).
Introducción a la Plástica Sonora: Tutoría para Artistas y Músicos.
http://www.maginvent.org/articles/psontoot/Tecnicas_Pla stica_Sonora.html.

Reyes, 2012
Reyes, J. (2012).
Control y elasticidad en lo musical:una aproximación a la manipulación de música y sonido con elementos electroacústicos.
Vista en Agosto 2012.

Smith, 2002
Smith, J. (2002).
Delay lines.
Visitado en Mayo del 2012.

Wang, 2011
Wang, G. (2011).
Stanford laptop orchestra.
Vista en Agosto del 2012.

Wright, 2012
Wright, M. (2012).
Opensound control specification.
Vista en Agosto 2012.

next up previous
Up: Interacción en ensemble y telepresencia Previous: Trabajo futuro y experimentación

© Copyright 2001-2012 Juan I Reyes. All rights reserved.
Created and Mantained by Juan Reyes